Looking for Evidence of What Was Here
I am often drawn to places that contain evidence of something no longer present.
Field
Field notes
Field Notes
Black and White - For Now
I have been asked on occasion why I only make black-and-white woodcuts and why I don't use color. That is not accurate. I just haven't used color yet.
Studio
Every New Tool is a Threat
When digital image-making entered the studio in the early 1990s, it was often treated as something less than art. I was young enough to be fascinated rather than threatened.
Studio
The Field
Children don't remember landscapes the way adults do. They remember them as maps of experience.
Field
First Proof
The first time the image exists on its own.
Studio
The Drawing Before the Woodcut
These early sketches are not plans so much as questions. They allow an image to exist without requiring it to work yet.
Studio
An Epoch Ends and No One Noticed
Welcome to the Anthropocene
Field
Ramblings about Quarries
An early Human technological breakthrough
Field
The Anthropic Overlap
Relics of forgotten systems, and the forces they served.
Field
The Scale of Time
We overestimate permanence because we underestimate time.
Field
More Words about the Geographic Memory Series
The private landscape we all carry.
Field
Printmaking Editions
Its good to have some framework to work within if you plan to break any other rules.
Studio